Maybe that's part of the point of Static Cling, though. But you could say the same about cartoons of yore that were made as cheaply as possible, with limited frames, low articulation and constantly recycled backgrounds. Sure, there's a lot of lazy computer animation out there, just look at the wildly popular kids content on YouTube. But the complaint seems a bit regressive today, especially when the overarching message of the film is about embracing change as the key to happiness. Murray, co-director Cosmo Segurson, and their co-writers are clearly positioning hand-drawn animation against CG. "We can make anything in a passionless and cheap way!," they add. And in a bid to produce is at a lower cost, they first turn to computer animation: "Make art is easy with computers!," quips the the snooty, ambiguously European-sounding Chameleon twins. We quickly learn that cashing in on that show is the only thing that will save its parent company, Conglom-O, from going broke. But, as you'd expect, Rocko's quest to reboot the Fatheads is fraught with obstacles. I won't spoil too much about the film - mostly because it's very easy to run through everything that happens in its short 45-minute run time. Both Rocko and the audience are instead trying to fill the gaping holes in their hearts with pop culture from the past. But his mission is also obviously a reflection of the nostalgic energy that made Static Cling possible in the first place. As a stranger in a strange future, it's really the last connection to the past that Rocko has left. Sure, it's not exactly subtle, but it's still sharper social commentary than you'll find in most Nickelodeon cartoons.Įventually, Rocko and crew learn that The Fatheads has been off the air for years - so like any nostalgic Millennial, they set out to reboot the series. Rocko creator Joe Murray made a point of criticizing rampant consumerism and huge corporations in the original series, and that anti-capitalist attitude hasn't gone anywhere. Before you know it, they're racing to get the latest O-phone (which is almost immediately replaced by a new model), hitting up BuzzBucks coffee shops and getting stomach viruses from trendy food trucks. Returning to O-Town, as they seek out more Fatheads episodes, is like leaping forward in time after they've been stuck in the '90s. But, as they commiserate, they realize the rocket controls that could get them home was stuck on Heffer's butt the whole time. Before you can shout "Spunky!", the tape gets destroyed. Somehow, they've survived on scraps of food in Rocko's house, with a single tape of their favorite '90s cartoon, "The Fatheads," as their only source of entertainment.
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Set 20 years after the end of the original series, the movie starts with Rocko, his best friend Heffer, and their neurotic turtle compatriot Filburt, floating through space (it's a long story). That makes Rocko the perfect classic cartoon to bring back today, and the new Netflix film, Static Cling, doesn't disappoint. Now that its fans are well into adulthood (myself included), the show's social commentary is more resonant than ever. It punched way above the heads of the network's young audience when it aired, and it was far more grounded in real-world issues than the likes of Ren and Stimpy. As far as boundary-pushing '90s Nickelodeon cartoons go, Rocko's Modern Life has aged the best.